14th Sitting 04/09/2014

We had the room set up as usual for a ‘Liz in the cabinet’ sit.

I did the opening prayer at 8.30pm then turned off the red light and put the music on.

Three minutes later I had a pressure on my forehead and popping in both ears.

I felt a light tug on my left trouser leg.

The energy in the room seemed to build up quickly and there were pin-prick lights darting about.

I got a fleeting whiff of flowery perfume.

I then saw a bright blob build up in front of me and I saw a pin-prick light swirling around within it.

I heard a creaking sound to my left.

Liz then started to speak…

‘Namaste, the word Namaste keeps coming, it’s a whole global initiative… picked up with Kathmandu and the hippie trail started, its initiative, accelerative…’

AUDIO CLIP 1

I felt a light touch on my left leg.

Liz continued…

‘I’m seeing some low hills… teletesities… qua, qumem, qualla, qua, quiss…’

AUDIO CLIP 2

‘I’ve got the feeling we’re suddenly all being rolled up in a carpet, that this journey is not quantifiable, it’s not linier, it’s not, when you try to get a sense of time scale it’s all happening simultaneously at a higher level, a different perspective. You see the beginning and the end point, they’re already there, all held not only in our perspective but on the low hills walking towards in a linier fashion, all times, old time, out of time, we can’t quantify it here… Dorothy, I’ve got Dorothy again, Dorothy Carrin’

AUDIO CLIP 3

I felt something in my hair, like there was something crawling in it.

Liz continued…

‘Get the feeling the millennium was pivotal. Keep getting Namaste the greeting; they’re all here, greetings Namaste. Kathmandu is important; get a feeling of elephant tusks, just tusks… Sky energy, from the sky…’

AUDIO CLIP 4

I could see black shadows moving around and above me.

Then there was a cool breeze in my right ear and a fuzzy feeling on my right leg.

Liz began making lip-smacking noises in the cabinet…

‘Eagle, eagle, it’s trying to take… temper…’

AUDIO CLIP 5

‘I’ve got Ceylon, land with tea, tea bushes and temple… gold, gold and green…’

AUDIO CLIP 6

‘Treadle, treadle… (there was a loud click/crack, like an electrical discharge, in the room to my right which came out on the recording) …testament, testament, trying to define something, I had the black caps… help I want to be found… they’re teasing out words I don’t know if I’m getting the right…’

I told Liz not to worry about it just give whatever comes.

‘Teasing, teasing…’

AUDIO CLIP 7

Liz got a personal message for a family member.

She was getting a lot of tickling in her right ear.

Liz continued…

‘Betty Siskin, I keep getting the orange robes, they’re transmitting, they have a lot of influence… The orange robes and black caps… Its old knowledge, old wisdom and they don’t want it to be lost… crumbling, it’s crumbling… Yes that’s where the marble comes in, the bricks, I’ve got this pink and grey and white marble. Marble floors, marble… and building block, grey and white… Special qualities and mineral, it’s the sun… I have a silence of sound… I can hear a sound…’ (Liz had a sound like a long continuous note in her head and she tried to reproduce it)

AUDIO CLIP 8

Liz asked me to turn down the music as she tried to hear and reproduce the sound again.

I suggested the sound might develop into a word.

Liz now heard very feint music. It reminded her of hearing something similar on the bus and thinking it was someone listening to music on headphones.

We’d had a communication recently about listening out for piano music but Liz thought this sounded more like an organ or violin music.

I couldn’t hear anything.

Liz was getting more tickling in her right ear, feeling like an insect crawling around in it!!!

I put the music back on.

Liz got…

‘Kaleidoscope… cinema…’

The atmosphere in the room was changing and looked sparkly to me.

Liz continued…

‘Sacred sacrament… It’s to hold all things sacred; it’s a very sacrilegious age… very, holding things sacred, that’s the importance, the holding, the sacrament… That simple sacrament of bread and wine and the transmutation, it’s a flash in the pan, some of the simplest everyday items become transformed to the sacred…’

AUDIO CLIP 9

‘Testing to see if the lineage has survived…’

‘It’s a question of the key…’

‘The word Sacramento… a place’

‘Almost I feel we’re being shown a chest, a treasure chest full of sacramental objects. Locked, we’re being asked to unlock it but its inside us, we’ve got the key, they’re showing, find the key inside, these objects, its unlocking the everyday sacredness, to cherish the sacraments’

The music ended.

AUDIO CLIP 10

I asked Liz if she had any final words and she said…

‘I think that was the profound message in all of that was to worship the sacred in the everyday, to value, to seek, to look into this treasure trove of the everyday ordinariness that images of sacred objects to be cherished… that’s the true worship from the foothills of Ceylon’

AUDIO CLIP 11

Liz felt she had red robed Tibetan monks with her but they were now going.

I did the closing prayer, sent out healing and did our closing down exercise.

Afterwards Liz told me that at times she had felt an energy coming into her. It was like she was being emptied and something else was gradually sweeping through, almost like a wave of water…

13th Sitting 08/08/2014

We had the room set up as normal with Liz in the closed cabinet and me to her right.

I asked Liz just to relax with no expectations and allow the team to work with her as they think best whether it’s trance, inspirational speaking, clairvoyance etc...

She was coughing as she sat in the cabinet which is always a good sign that the team are starting to move in.

I did the opening prayer, turned out the red light and put Liz’s CD on.

After about five minutes I noticed the atmosphere becoming wavy, a bit like being on water.

(Liz told me afterwards she’d had images of rivers at the beginning)

Then it seemed like the room was dancing to the music.

I noticed a few pin-pricks to my right which seemed to be shooting towards the cabinet.

Then Liz began to speak…

‘I keep getting the name Davina, Davina… It’s one more river to cross, that’s the river Jorden… I have the feeling Davina is a dancer, she’s dancing now’

AUDIO CLIP 1

‘Something to do with shoes, the Moscow State Ballet… get a feeling that it’s Croat… I get the mushroom… The mushroom is the colour; it’s this pinkie beige, this pinkie beige colour’

AUDIO CLIP 2

‘Seems a bit cross, it’s not mushroom colour, they’re showing me mushroom like you put in a shoe, like a sort of wedge, stretching the shoe’

AUDIO CLIP 3

I got a strong fuzzy feeling on the back of my right leg. Just in a small area like it was being poked and lasted about 30 seconds.

‘She said Ludmilla, don’t know if Ludmilla is a colleague but I have a feeling it’s a wardrobe mistress… or laundry’

AUDIO CLIP 4

It seemed to be getting lighter in the room to me. As if light was coming in through the walls.

‘Just get the words dancing their way to light, all the old fairy tales’

AUDIO CLIP 5

‘I have a feeling that these two are connected with the ballet, wanted to dance but they were on the menial side, the wardrobe, but now they’re free to create and dance and they’re dancing their way to light. It’s like a new lease of life; they’ve found their inner dancer. I just gave them the blessing and in a way let go of them’

AUDIO CLIP 6

‘I think the message that they wanted to give was you can develop the skill by association. They weren’t performers, they were in the background, but they picked up all the nuances, the gift, they picked up the gift by association and dedication’

AUDIO CLIP 7

‘Vastus, Vastus, Vastus, Vastus Grassious, Nesta, Nesta… Oh who’s eyes, seeing the almond blossom, I think it’s Francis… Vast’

AUDIO CLIP 8

I was feeling light touches on the front of my legs and face.

‘In the middle, middle, in the middle, the in-between, out at the edges, all held at the in-between and the edges, all held in one... Vasith Ecklathuma… Null boundary… I’ve got Carol or Caroline... Carol… Raven’s wing, oh… Accepting the seven’

AUDIO CLIP 9

My feet suddenly went very cold.

‘I won’t let go of it, that message keeps coming through, please tell her I love her, this is Carol or Caroline and it’s accepting this seven, I just say it… okay seven’

AUDIO CLIP 10

‘There’s something trying to get through, first I got snow drops and then I got a picture of falling down a snowy slope which is again a snow drop… and some lovely people… ha, I’ve got a sort of classified information, classified… There’s a sense of a great delight, playfulness, the beauty, and one of the people going down the slope, had a feeling it’s a medium, somebody that I’ve known, I knew, a man, before that a girl… It’s just a lot of laughter, lot of joy’

AUDIO CLIP 11

‘I seem to be taken very fast on a sleigh through forest, through tundra and there’s some people in uniform there, ugh, they’re not very nice, they look slightly Chinese, slightly Mongo, sort of mustard coloured uniform but there’s red and black on peeked caps. Generals… Ludmilla still seems to be around, I think she’s concerned… It’s like the proverbial wolves in the forest, but these men, ugh, aggressive, they’re plotting… The right hand doesn’t know what the left hand is doing, it’s all under cover. She’s worried about her Russia. Now I feel there’s cremation, there’s tears, there’s… ugh… We have to pray for Russia, there’s… bad Generals… an air crash, ugh, ugh, ugh… How could you do this… I want to go home but I can’t… It’s all right…’

AUDIO CLIP 12

‘I’ll say dance to the light but we’ll pray for peace, for the peacemakers and the wolves will devour each other and all the Generals. You’ll be… you go to the light….. enjoying the prayers’

AUDIO CLIP 13

‘Istance…’

‘Tavener…’

‘It’s like the lion, the witch and the wardrobe’

Liz gave a couple of fast exhalations forcing some of the words out.

‘It’s a Harsa, Harsa, Harsa… Horley, Hatherway…’

AUDIO CLIP 14

‘Where the bee sucks, there suck I, in a cowslip’s bell I lie… We’re getting all the poets… There’s Longfellow… Hiawatha… they’re all around, ah… they’re my company… This is a kindergarten but the real school, to graduate, the real school’s in the sky, next level up’  

AUDIO CLIP 15

‘I’ve got Terry again, he just wants to say hello, Terry, Terrance’

AUDIO CLIP 16

The music ended and I asked if there were any other words to say…

‘Just the sense of big stones, big rocks, but to leave no stone unturned, feeling, peace, blocks in the way but we can work with them, just leave no stone unturned… that’s all I have to say… thank you to all our friends’

AUDIO CLIP 17

Liz sat quiet for a while as she was feeling a bit fuzzy.

Then I did the closing prayer, sent out healing and did our closing down exercise.

Liz had felt a rush of energy when she connected with the air crash. She felt it falling; she sensed sleight of hand and a feeling of grief and mourning. She felt they’d directed us to the situation to send light and healing.

She had got a picture of Miss Price, a school teacher who had made her learn ‘The Song of Hiawatha’

12th Sitting 03/07/2014

It was time for Liz’s turn in the cabinet.

As usual we set the room up exactly the same as in our Monday Mercury Light Circle, Liz and I swapped places and the music CD was a selection made by Liz.

Last Monday Liz had been given advice on sitting for trance. In the past she has worked in a more ‘inspired speaking’ way. This time she was going to experiment by just repeating words that come to her and try not to elaborate with her own imagination.

I did the opening prayer setting the intent for trance development with Liz then turned out the red light and put the music on.

The energy seemed to build quickly in the room and after about five minutes felt thick and dense.

I had pressure on my forehead and felt a few touches and tingles around my right ear.

It was getting very cold in front of me.

Liz said…

‘Toby… Tobacco…’

There was a white mist building up in the room.

I had a fuzzy feeling in my legs and a pulling from the back of my neck.

Liz continued…

‘Double eight… Eighty eight…’

I felt light touches on the back of my fingers.

The room still looked white and misty.

Liz continued…

‘Galloways… Oyster, oyster… Raucous, Raucous… O-sphere, like a double O… Goon… Unity… Dotty Cameron, Belmore Street, Shauna and Olatunji…  Book end… Irandhir, Cursty… Fish head, lots of fish, Herrings… Stifle… Detective… Dobbin… Confucius or confused… Stertorous, sanctorius… Telephone link… Paderewski… Pomp and circumstance… Collosus… Silver… Ohio… Taylor… Finkelstein… Phew… Tobias… Narcissus… Narcolepsy… Naressa… Nemesis…’

The room was now looking a peach colour.

Liz continued…

‘Nat… (she couldn’t get this word but felt it was something nautical) Terrance… Hepsibar… Sibber… Astronomical… Horoscope… Chronology… Sidereal… Constants… Simarik… Susurrant like somatessa… Rosy, Rosia…’

The music ended.

Liz was slowly coming back after being in an altered state.

I then did the closing prayer, sent out healing and did the closing down exercise.

Liz had fallen asleep at some point during the session. She felt very disoriented when she woke up, thinking she was in bed. It took her a while to realise where she was.

Liz had sensed many people around she knew and felt they were all trying to get words to her.

She saw a lot to do with astrological charts and nautical terms but couldn’t get all the words clearly.

She’d felt a tight band around her middle.

Liz had also felt movements in her throat and had made a few quiet huffing and oooo sounds.

When Liz was telling me all this I saw a pin-prick light above me.

We both felt it had been an interesting and useful experimental session. We will continue in a similar way next time we sit unless we get any further advice to do things differently...

11th Sitting 22/05/2014

The room was set up as it is on Mondays, the only change being we swapped places and Liz sat in the cabinet and this time we had it closed.

The intention was that if Liz felt inspired to speak or felt she was to be controlled she would let that happen.

I did the opening prayer at 8.30pm, turned out the red light and put the music on which is a 75 minute CD with tracks chosen by Liz.

Five minutes later I was getting very cold round the legs and had a pressure on my forehead.

Then I felt tickles down each side of my face. It felt like something was trickling down.

I felt something tickling in my left ear.

Liz then began to speak…

‘Somebody I can see, a man with a sort of pinkie face, blonde hair, youngish… Open neck shirt, grey jacket. He’s been in the sun. Francis. It’s curly hair, very blonde, slightly red skin. Seems to be under a palm tree, flowering tree. He’s smiling…’

AUDIO CLIP 1

It was getting cold in front of my legs again, felt like a cool breeze.

Liz continued…

‘Get the word community, I think they want me to talk about community, comes from sharing, a sense of being united, enjoying shared endeavour and it’s that that we need to get back. The simplicity and joy of a shared life, like bees, it’s a harmony, to join in community, it’s a blessing. Has the same effect as singing in a choir where everyone has their part but the whole comes together as a harmonious enterprise, created unison’

AUDIO CLIP 2

It was looking misty in the room.

Then it started looking lighter, a cream/yellow colour.

I felt cold and fuzzy down my right side and I felt a touch on my left foot.

Liz seemed to be taken more out of it for a while.

She didn’t speak for about 25 minutes and then continued…

‘It’s the kaleidoscope, the pattern. Then you get bored, then it wears thin, you just a little wiggle and you change it. The same elements but a new look, a new way of seeing, a new pattern. And in community you come together, first one way in a joint enterprise, sharing and the elements break up and reunite and another way for another activity, like clouds… It’s the same units but the union. The knack is the point of change, to let go of the pattern so a new one can start to form, so trust… It’s like the bird has to break the shell to hatch. You have to let go of the old patterns and swim free from it and then the calling together, reconvening for new work is creation. This is the creation of new ways of being. Out of so many simple units repeated pattern you can get so many new formations…’

Me… ‘Are they like snowflakes?’

‘Just a twist of the wrist and the pattern’s broken and a new one begins to come into being, yeh, crystallization… But there has to melt, the crystals have to break up or it would just, everything would come to a standstill, frozen into immobility. But that’s not the way, movement and change, reshaping like the clouds in the sky…’

AUDIO CLIP 3

I saw a flash to my right.

Liz continued…

‘I feel I have a lady with me, Pat who I knew; I don’t know if she’s still… I had a feeling she’s telling me she had a stroke…’

Me… ‘Well she’s very welcome’

‘I think I saw her in a dream recently, she was the lady with the red hair’

Me… ‘Has she any other message for the circle?’

Li said she could feel them working with her throat, then continued…

‘The community, she was a dancer…’

Me… ‘Does she bring an energy with her?’

‘Yes it’s passing through me… Sam… and she was with the archaeologists… The great value of community, of the joint enterprise, of the sharing, of the striving together, to create and this is love in action. It’s the expression, the true community… But from where I am now I can see the great value, the importance, joy… and these little enterprises like the kibbutzim unions all these social enterprises are a forerunner, a shadow, an expression, an attempt to create the love in action… enjoy, appreciate…’

AUDIO CLIP 4

‘It’s the shadow dancing I can see, Pat’s hands, like on the sheet where you make the pattern and that’s what the spirits are doing behind the scenes they’re these efforts to reshape communities to come together all these enterprises where communities join they’re inspired, they’re the shadow dancing from, we are breathing into them, we are the motivators, we motivate, so when you see these efforts to combine, to produce new communities, new ways of coming together you know that the motivation is from spirit… We’re close behind; they’re shadows of our love…’

AUDIO CLIP 5

‘There are these invisible threads, runners, links, joining all these efforts together, into a mosaic, into a pattern. Then with one shake reforms and regroups it’s all manifestation of our motivation of our thought…’

AUDIO CLIP 6

‘Francis is here again, leaning on his spade or rake, he’s pleased’

Me… ‘Would he like to say anything to the circle?’

‘He just endorses the way of work, of simple simplicity, contentment’

Me… ‘Has he any advice for this circle?’

‘To allow the shining to come through, to turn to the light, to remain a conduit, to feel part of this larger community, to be aware, being a nexus, a link, a hub… For the power to accumulate for these patterns, to reform, to reshape, to regenerate these links are necessary, focuses of the light, the power. This is what we’re doing. It’s like we’re the shadow dancers for the motivation for the spirit. For it to come through you need the conduit, the nexus, the hub, the focus and that provides the energy to shake the strings and the threads in the material world and along those threads the changes, the pattern can begin to jiggle and change. The energy can accumulate to affect that switch over. This is happening, pattern is changing but the energy to make that flip over, we need these hubs, these vortexes, nexus, power centre and a force will travel along the threads out to give energy, to reshape and the time is coming when these new communities will form based on love, shared endeavour, all in the light, all united in love, in simplicity… in contentment…’

AUDIO CLIP 7

The music CD ended.

Liz was still a bit spaced out so I gave the team time to withdraw before doing the closing prayer, sending out healing and our closing down exercise.

Liz felt she had been taken partially out of it during the session and she’d felt a buzzing energy when Pat was with her.

10th Sitting 03/04/2014

This Thursday we had another experimental sit with Liz in the cabinet and me as sitter.

We set the room up as normal apart from the cabinet curtains which we left open.

At 8.30pm I did the opening prayer, turned out the red light and put the music CD on which is made up of music chosen by Liz.

I very quickly felt and saw the energy build up in the room. It felt think, dense and looked mottled at first then I got a bright bluish blob in front of me before the room became misty and light.

I felt something on my right ear and a pressure on my forehead which stayed with me for most of the sitting.

I noticed a few dim torch lights moving around the room, mainly near the healing book.

Liz began verbalising what she experienced in the cabinet…

‘Peter… great things, very expectant, new beginnings… Wonderful to be meeting with all these beings again, great love, like walking through a wonderful field of flowers, beautiful flowers everywhere’

‘The feeling of snow, eskimos, igloos, sledges… Great happiness, great wide open spaces… Great snow shoes like tennis rackets, smiling faces beaming, very happy like a family meeting again, all the stories, stories of spirits’

Me… ‘Do you know the people?’

‘Yes, they are family members, wolves among them, grey wolf, wonderful to be acknowledged again, there’s no separation, great rejoicing… You couldn’t have a greater cathedral than this’

‘Silver…'

'Feed my lambs’

Liz got the name ‘Monroe’

We wondered if that might be Bob Monroe and as we said that I saw a flash above me.

Liz continued…

‘I’m being pulled to the temple in Jerusalem. The meeting of spirits, sharing of stories and feeding of the lambs’

I had a fuzzy, pulsating feeling on my left knee which lasted a few minutes.

I had tickles and cobwebs on my face and the room was looking light again.

Liz got ‘Grace’ and then ‘Tailor’

I felt something in my nose and something running down the sides of my face.

I saw a light flash on and off between me and the cabinet.

Liz continued…

‘Finkelstein… a connection with tailors… pricked fingers, pricked by needles, need for protection… union’

My left thumb felt fuzzy and I got the name ‘Vladimir’

Then Liz got the name ‘Sergey’ (There seemed to be a Russian connection going on?)

I saw a light to my right and felt something on my right ear again.

Liz continued…

‘Shoe makers, trade guilds… Sadie, Rose, all is well… A connection with unions, the struggles and the wonderful camaraderie, working people… She just wants to say this is part of a learning devise, don’t have to take it too seriously, quality of life, it goes on… Terrence… He’s a happy boy, bouncing a ball up and down like tennis’

After a few minutes Liz continued…

‘In the Swiss mountains, Alpine pastures with all the flowers. I keep meeting people I know but up high I think it’s the feeling of taking this to a higher level. All working towards this rarefied atmosphere, this pure air, an inspirational level’

Me… ‘Do the mountains and flowers look different to you?’

‘The mountains, they’re brilliant. Brilliant blue sky and the colours are radiant. The lambs become little goats but it’s a place where the spirits are air, the spirits are abundant but ever fine, the chiming of bells, this is a chorus. It is the temple of the sky’

Me… ‘What is the colour of the sky?’

‘The sky is a brilliant deepest blue going to purple but I think the call is to bring all these spirits that have been working through illness, through all the conflicts of the worldly historical… bring them up to the top of the mountain, to the temple’

Me… ‘Are you at the top of the mountain now?’

‘Yes, but it’s not the temple of sacrificing the lambs, it’s where the lambs will be fed. This is the place for the feeding of the lambs. The grass is rich and green and there are rainbows in the sky’

Me… ‘Are you able to rise above the mountain and climb even higher?’

‘The hand’s pulling us up’

Me… ‘Look up and see if anyone’s reaching down to you’

‘Yes, it’s endless, yes the warmth… It’s a golden glow’

Me… ‘Ask them to allow you to see where they reside in the highest of vibrations’

‘It’s a great emptying of self, a purification. It’s like going into a wonderful pool of crystal water… Union… That’s the difference between the union, of the trade union, that was a shadow, wrought with conflict and struggle but the ideal is the union united. This is the union of spirit’

Me… ‘Have they a message for us to help us make our earth plane more like theirs?’

‘Rise up, rise up on the internal, into the inner temple not the outer. Those are shadows, it’s a shadow world. Those are the battle grounds, the testing of the spirit but then on the inner plane there has to be the purification… so let go of the conflict’

Me… ‘How do we find the inner…’

‘…I’m calling to Finkelstein and Rosie and Granddad. All of the union, all of them, that the union, the new union, union of spirit. Beyond… It’s like a great hand, finger pointing to the, above the sky, penetrating the sky this great emptiness of self and the crystal clarity of the sea which is to see and to be seen. It’s all seeing in the sea, vision, light, it’s the union of spirit, the union, the only trade is love… Feed my sheep. This means the revealing, the spiritual truth, feeding to the pastures’

AUDIO CLIP

The energy in the room was very thick and dense again. I saw a few black shadows moving around. I felt very fuzzy down my right side.

Liz continued…

‘I’ve got Mary here, she’s got the children with her, she’s wearing blue… Mary put the children on a yacht, a boat, keeping them safe, they’re all having healing there but then it’s like building a great bonfire and it’s the purging of all the spirits, all the infection, this great conflagration, there’s a lot of liberation. It’s like providing the light for these, illumination, purging them… ‘

‘A large woman called Thelma, she’s stirring this pot and she’s making music, she’s helping to change things, to stir it up, this conflagration. It’s part of the beginning of the purification… Thelma, I think I know her, if I don’t she reminds me of someone, she’s a singer… What a voice’

Me… ‘Is she singing now?’

‘She’s never stopped… She wants to broadcast the truth… it’s all good’

As the music ended Liz got… ‘Stevenage’ and ‘food takeaway’

She felt it was a message from someone she knows called Phil…

I checked Liz was okay before doing the closing prayer, sending out healing and our closing down exercise…

9th Sitting 27/02/2014

It was time for Liz’s monthly sit in the cabinet and this time we sat with the curtains open but still in full black-out.

As usual we decided that if Liz felt inspired to verbalise her experiences she should and likewise if I felt inspired to interact I would.

Liz had chosen a new playlist of tunes consisting mainly of piano music.

At 8.30pm I did the opening prayer, turned out the red light and put the tunes on.

Four minutes later Liz began to speak.

(I haven’t transcribed everything verbatim but include audio clips if you choose to listen to all that was said)

Liz got a powerful image of an enormous serpent coiling round from the cabinet to the healing book. It was blue/green with pearl iridescence. She felt like she was in it and moving with it, a wonderful S type movement, like water. It was an energy to do with healing. A great leviathan that we are in and is part of us, this great life energy almost like an umbilical cord, a conducting energy. At the end of this snake was a person, a master holding up his hand as if to say you can’t go beyond here. He looked like Jesus and there was a gate. The place was shining and Liz couldn’t see beyond it. An energy was coming towards her and she was told to merge with it. This snake is us, like this evolutionary movement, this coil of life energy, linking us to this light being. She got the name Peter the rock and he took her into a cavern.

I saw a blue light flash on and off by the healing book.

The cavern was full of rock crystals, veins of different minerals. There was powerful healing there.

I asked if there was anybody else in the cavern?

Liz then saw hundreds of white haired elder people at the back of the cavern, praying for the world. Liz felt overwhelmed; she said they are all behind us. A lady came forward in a blue robe like a nun, Mary. This was a cave of Christ. Mary had a small lamb in her arms.

I asked if Mary had a message?

It was just that they are with us in our thoughts, they are overshadowing us… Shepherd feed your sheep… That’s the message. There’s a rocky ride to come. Liz saw a turbulent sea outside.

I asked what would cause the rocky ride?

Liz saw big movements of the earth, eruptions, falling boulders. But this is a safe place, it’s in our heart and to hold onto that. They’re steering us, the boat.

Liz got the sense of a star like the nativity. She saw nurseries and play schools and asked… How do we feed these lambs? We have something to do with small children, this generation. We should ask Mary and Peter what is the meaning of this? We’ll know the children; they’re around us at the moment. It’s the coal in the heart, keeping this shining and the children can see it’s very beautiful. Keeping alive, keeping in touch with this serpent energy and the way to the cave. They are behind us and can radiate through us. The children can use this energy and generate out like a beacon. We have contact with the children already.

AUDIO CLIP 1

Liz got an image of a grey wolf.

I asked her what feelings she got from the wolf?

A custodian of the forest and wild places. A friend, orange/yellow eyes, running in wide open spaces and forests. Liz saw snow, a log cabin and the moon. These are the places the children will enjoy, they will be there for that generation.

Liz got the name Gilbert. She saw engraving on silver or copper plate. Very ornate etching, family heirlooms.

I asked if she could see any words in the etching.

Liz said ER possibly coronation.

She then got Gilbert Murray, something to do with poetry, a connection with Keats. Liz was now in a long Victorian street, a mining town.

AUDIO CLIP 2

Liz had so many people talking to her, Aunty Mildred, photos of her grandmother, green plants. There were so many she felt it was too much.

I suggested she ask just one to come towards her to get a clear message.

Auntie Mildred wanted to thank her for some healing Liz had sent, she’s with the others now. All the etching earlier was connected with her. Liz named some of the other family members with her including her Dad who was laughing.

I asked what they thought of the work we were doing and are they part of the team?

Liz said they’re pleased and she thought they were on the team.

She now had a little boy in a night dress.

I asked if Liz could get is name. Had he come alone or was he with somebody. Has he come for a reason?

Liz got the name Paul and said he was with his Grandma. He was pulling his Grandma along, she could be blind and needs help, her name is Marion. Paul seemed to be dressed as a choir boy. Liz thought he was on the other side and she is on this side.

Liz got the impression of Phillip.

AUDIO CLIP 3

Liz then got Wendy.

I asked her to describe Wendy.

Spectacles, greyish hair below ears. She’s knitting something. A stripy school scarf. She’s the sort of person you’d find in a shop, kind, straight laced, ordinary. A school boy next to her. Boxes of Crawford’s biscuits.

I asked if she would have been interested in this subject?

Yes, she might have done. She was somebody involved in the community, making cups of tea, stalls, connection with a church, possibly Spiritualist. She’s smiling, just wants to let us know she’s here. Passing the biscuit tin around, it’s also a collection tin. She helps support people.

When Liz saw Phillip earlier he was surrounded by precious things.

She got the name Damien connected with lepers. A good man, he worked with the people who were ill that other people wouldn’t work with and contracted the disease himself but he didn’t mind, he put himself aside. The energy of doing that is freely available. You don’t have to worry if you want to help just do it, you can, you get all the support and energy you need from the other side when you identify with that.

AUDIO CLIP 4

Liz had a strange sensation of a long elephant’s nose and Elena wanting to talk though it, something about brail. Elena had grey hair, refined features, a bit like Vanessa Redgrave. She got the feeling of Winston Churchill’s house, walking down the conservatory.

There were so many people overlapping, flitting into each other. Wonderful people interlocking dimensions, co-existing. Liz was like an observer walking through rooms. She suggested if anybody wants to say something strong and clear they should shout loud so she can fix on that. But at the moment she was just scanning. She got the words… Yay I walk through the valley of death…

AUDIO CLIP 5

The music ended and I asked the team to draw back a little.

Liz had a lot of pulling around her solar plexus and still felt a little light headed.

She got the name Brenda right at the end.

I did the closing prayer, sent out healing and did our closing down exercise by which time Liz was feeling fine.

Liz was happy with the tunes she’d selected, she felt they helped her.

She had got quite emotional at times, particularly when her family members were with her.

I think the Wendy that Liz got could well be Wendy who used to sit in the Mercury Circle when it started in 1999. She also sat with Colin Fry in his Friday group. Liz mentioned… ‘Passing the biscuit tin around, it’s also a collection tin’ …we used to put a few quid in a tin passed around at Colin’s at the end of his sittings. I’m pretty sure it was a biscuit tin and it would be interesting to know if it was a ‘Crawford’s’ tin or not but I guess it’s long gone now. Liz also said… ‘She helps support people’ …which was very true as she sat in support of several physical mediums even though she was herself a good trance medium but she preferred sitting for others rather than developing herself. The way Liz described her was pretty much how I remember her and it’s also interesting Liz got Brenda at the end as this was Wendy’s friend who also sat in the Mercury Circle in 1999 and with Colin.

8th Sitting 30/01/2014

Apart from Liz and me changing places for the evening, we had the room and conditions set up as we do for the Mercury Light Circle.

I opened at 8.30pm, turned out the red light and put on the music which was the same 75min CD we use when I’m in the cabinet.

Three minutes after starting I noticed a breeze on the back of my neck and a pressure on my forehead.

The room started to look blobby, blue blobs.

A few minutes later it looked white and misty.

I felt a pressure on my left leg just above the knee.

It started to look lighter to my right and felt like the room was filling up with entities.

I had a tickle on my nose and lots of tickles/touches on the right side of my head around the ear.

I felt a feather like touch on the back of the second finger of my right hand.

It was starting to get very cold round my legs and waist.

I saw a few dim lights to my right.

I felt tickles in my hair.

My right foot felt icy cold.

I felt something trickle onto my top lip, left side. I felt it there for about five minutes.

I got the feeling that people, possibly spirit chemists, were close to and in front of me, working with me.

It went very blobby again.

I saw a distinct light flash on and off above me followed by several dim lights around the room.

I felt a pressure on the back of my left leg.

My left leg felt warm but my right leg was cold.

I felt very cob-webby over my face.

Then I felt cob-webby and tingly all over. It was like a net had been thrown over me.

I now had a reddish blob in front of me getting bigger and smaller.

My face felt warm.

I felt a breeze.

It was now 45 minutes since the start.

Liz had been quiet up to this point but now began verbalizing her experiences.

She sounded very relaxed and in a slightly altered state which seemed to get deeper towards the end of the sitting. It was difficult at the time for me to hear what she was saying but it was picked up by the voice recorder in the cabinet and I’ve included some audio clips in the report…

‘I keep getting selenium, it’s an element; it’s what I need to know… Selenium, it came with the red blob, Selenium it’s not a… Why do I need to know selenium? There’s a connection with red, it started with red monkeys, a banana plantation and squirrels, red squirrels. There have been several people around… a Joseph…’

AUDIO CLIP 1

I thought the room had now gone a pink colour.

Liz continued…

‘Someone’s telling me you need never be lonely, someone’s coming from London, several times someone like a Victorian lady, like a nurse, she’s trying to say something, like Cecelia, something about rare earth and minerals, important to repair… I’ve got this great hot air balloon, think I’m going to go with it… gonna go up in this…’

AUDIO CLIP 2

‘It’s to do with bear fat, selenium, there’s traces of it, there’s Eskimos, they’re showing me’ (noise on recording)

AUDIO CLIP 3

‘Yeh it’s to do with foot prints. They’re showing me the tracks in the snow, they leave no tracks, the snow covers it like treading lightly. That’s a good way to make a…’

AUDIO CLIP 4

I was feeling overshadowed at this point. It felt like my feet were huge and in some sort of foot wear like sandals. My hands were held together palm to palm in front of me and they felt huge as well.

Liz spoke again…

‘Steadfast, steadfast, start-rite… like a ship going forward, it’s got a cross… it’s to do with the journey, keeping the direction, keep going forward, steadfast, a cross at the helm, it’s the guiding connection, it’s a direction… Must be with the right relationship with the earth, got to get the compass right, got to set the course and keep to it, not flinching’

AUDIO CLIP 5

‘Bones of the ancestors, calling up starship earth to keep the direction, keep the compass, to keep the faith, to follow, not to lose touch of the traditions, the old knowledge’

AUDIO CLIP 6

‘I got a feeling, it’s like a cloud around me, that it’s the warning, the locusts, plague, I’m in a field, corn stalks, it’s all dry, the crunch is the locusts, but it’s to do with change, it’s to keep to the old way of being in tune with the earth, just hold fast, there’s a rocky time ahead, feel the beginnings of it now, but this boat, ship, keeps steadfast, keeps going forward but it’s in touch with the old explorers, starship earth, just keep at the helm, set the course, set it according to the stars, according to the bones and the amethyst and the crush is a protection, it’s a direction, just keep on, keep the faith’

AUDIO CLIP 7

The last tune was now playing and I asked the team to draw back.

Liz still felt a bit light headed when the last tune ended but felt fine after I’d done the closing prayer, sent out healing and done our closing down exercise.

Liz remembered some more after the sitting. The hot air balloon was stuck for a while before taking off and going to the Alps where she got the name Heidi which came with an emotional feeling. 

Several times she’d seen a woman, grey haired, pleasant but stern face; thin, in a matron’s cap and frilly apron. She was trying to tell Liz something. At one point she had a megaphone, then a very old telephone. Liz wasn't sure what she was trying to tell her. She also came with a piece of grey fabric. Liz noticed it was very hairy, possibly being viewed under a microscope. 
She got the name Brenda.

She got the place Pontefract and the 100 years’ war and felt they were connected.
She also got sailors circumnavigating the globe, explorers and she kept coming back to bears.

She'd felt a physical sensation on the side of her neck and in her throat.

For me there seemed to be a lot happening in the room during the first half, then when Liz started speaking I didn’t experience so much.

During the first part of our sitting Liz had felt the music was wrong. She found it irritating and distracting.

What she is currently doing is getting visions clairvoyantly and a few words clairaudiently which she then vocalizes as in inspired speaking. This may go on to develop into trance communication or it may just continue to develop as it is. We have the room set up for physical mediumship development so this may be why Liz felt the conditions were wrong if she is to continue developing inspired speaking.

We will discuss this and try something different next time she sits.


Some more from Liz

The grey fabric was important I think, as it was hairy, and I felt that the selenium had a connection with hair, and the bear, and the hairy red monkey and bushy tailed red squirrel, all of which were hairy.

The name Magellan came with the boat and the helmsman. I looked up Magellan, and he was a Portuguese explorer in 15th century and the first man to circumnavigate the globe. This was at a time when it was still thought that the world was flat. A constellation of the stars is named after him. He was killed in a battle he waged on behalf of the local chief, by natives in the Philippines, and they kept his bones as trophies. The chief, who was his friend, tried to get his bones back, but they wouldn't give them up. His explorations brought back cloves and cinnamon and spices to Europe. He used the stars to navigate. He was a real explorer. I think I used the word 'explorer'.

I looked up the 100 years’ war and Pontefract. The hundred years was started soon after Eleanor in our previous séance, died. It was war between England and France. There is a connection between Pontefract and Eleanor. Her son became King Edward 3^rd (I think the third) and he was a bad king. The duke who tried to overthrow him was captured in a battle at Pontefract, and beheaded there. However, later at Pontefract, Edward’s wife Isabell and her son had a document signed to seize and imprison Edward, the King. And he was deposed and imprisoned and I think executed, and his son became King. So they were the next generation after the ones that came through in the Eleanor séance, with the connection to Kettering. Pontefract is also important for liquorice root, which is exclusively grown there, and which has healing properties and is good for the liver apparently, as is Selenium so whether there is some health advice being given me, as I asked for advice on how to strengthen my system for this work, and repair any damage I may have incurred during my life.

A lot of connections but they may all be in the general unconscious. Why these ones should come through at present, though, is interesting. Whether they are from me, or from a discarnate source trying to communicate, is questionable.

Liz...

7th Sitting 11/12/2013

We had the room set up as usual for a full blackout sit and I put the voice recorder inside the cabinet.

As always we asked the spirit team to work with us in whatever way they felt was most beneficial for the circles development.

I suggested to Liz that she verbalise her experiences if it felt right to do so.

At 8.30pm I did the opening prayer, put out the light and the music on.

I felt a pressure on my forehead.

After about five minutes Liz began reporting her experiences…

She started with images of an Amazon jungle.

Then saw the characters from the Wizard of Oz...

‘In the final debacle the wizard is a person, but it’s not a question of being cheated because the journey to the realization, a full humanity, is a parable… The scarecrow, lion and tin man become real and Dorothy finds her way home… So although it seems as if the wizard was a sham, the wizard was merely a device, a learning devise, to encourage them to explore… That’s okay. The wind is the important thing. Wind is the spirit that carries and starts Dorothy off on this journey’

It was looking lighter in the room now to me. Particularly the floor.

Liz continued…

‘Ming Hai, a Chinese element, green jade, the healing face of China. Kingdom of jade, great wisdom in Chinese medicine’

Then she got a fox and said Basil Brush!!!

I suddenly started feeling a lot of phenomena around me.

I felt something moving around in my hair.

The front of my left leg went fuzzy.

I felt there was somebody to my left, very close to me.

There were more touches in my hair.

I felt a vibration under my right foot.

The atmosphere around me felt charged and alive.

My nose was itchy and I had cobweb type tickles over my face.

I had a pressure on my left shoulder like someone leaning against it pushing me backwards.

I was aware of a white light shining down on me from my right.

I now felt fuzzy all over like static electricity.

Liz was seeing the flames in a fire. She felt it was nothing harmful, a good fire.

I was seeing white wispy movement and pin-pricks between me and the cabinet.

Then I saw the head of a brown bird, like an eagle.

It seemed to be to my left near the cabinet and I was now aware of its outstretched feathery wings.

I didn’t mention the eagle at the time so as not to influence Liz.

I was feeling cold all over, particularly around my legs.

I saw the white light shining down to my right again.

Liz got the name George, and then…

‘A feeling of Lewis Caroll, Alice, changing of the guard, Buckingham Palace… Theatre people, ballet, firebird, rich creative tapestry… A contrast between this fairy tale golden carriage and a very plain laid out garden, formal beds and grass, just want it to be a plain garden, just wanted to be a plain gardener… Forget the horse and carriage, prefer the garden…’ 

It was looking orangey in the room to me, a bit like looking through a ring of orange.

I felt a few touches in my hair again.

A few, what sounded like lip-smacking noises were picked up by the voice recorder. I didn’t hear them at the time.

Then Liz began verbalising again…

‘Keep coming back to the firebird and the question what’s real in all this and the answer comes back to me, underlying thread… All the glittering appearances and the phenomena, all the great created surge, all burnt in the fire. Experience and those ashes, that’s the common thread, the ashes and the earth. But not to get too attached to all phenomena, the golden carriages, the incredible creativity, the ballets with performances, the charades, wonderful and magnificent but ultimately the common thread is the earth, the ash. Come back to basics, what’s real in all this, a wonderful play but not to get too caught up in it or get lost. Keep the thread, the common thread, the ash and delight in the flames, all pictures and shapes… You could keep wanting to come back for more, more shapes, more images, adventure…’  

Me… ‘What can you see at the moment?’

‘Flames surrounding a big black hole, like a bonfire with its dark centre. Lots of happy people around it. All drawn by the warmth and the fire and under its centre is the ashes’

Me… ‘The foundations?’

‘The foundations, it’s burning again, and again, and again…’

Me… ‘Can you sense the happiness of the people around the fire?’

‘Yes…’

Me… ‘What do you think they are thinking?’

‘Their ethereality… it’s okay… learning to transmute. They’re learning to allow themselves to face and go into the dark because they know it’s okay, they can come again if they want, rekindle again’

Me… ‘Where do the people come from?’

‘They’re always there. They’ve never gone anywhere. It’s the everlasting dance’

Me… ‘Is it night time or day light?’

‘It’s night’

Me… ‘What can you see in the sky?’

‘Stars… millions and millions of stars’

Me… ‘Is there a moon?’

‘No moon’

Me… ‘Can you imagine the sun starting to come up at the end of the night? Can you imagine the colour of the landscape as the sun slowly comes up illuminating the scene before you?’

‘Yes, magic mountains, multi-coloured vista, crystalline, beautiful colours’

Me… ‘Are there any animals coming out?’

‘There’s everything… reptiles, lizards, chameleons, snakes, magical creatures… They can change into people and they can dance. They are known as dragons. The Indians knew about these people, the shape shifters. There’s kindness in these creatures… They have strong connections with the sun’

Me… ‘What do you see now?’

‘I can see diamonds at the moment, carbon diamonds; I can see lines, large structures’

Me… ‘How does that make you feel, these diamonds?’

‘Excited, concerned, it’s too much, too complex overbearing structures. It’s fragmenting. There was just a few, now there’s many. I just see it like the tower of Babel… Now I’ve got the image of corn sheaves. A scarab, Egyptian symbol. Along with harvest comes famine, inequality’

Liz was quiet for a while during our American Indian tunes then started speaking again…

‘I’m feeling quite giddy. It’s like a tree spreading out… Now everything’s speeding up like a maelstrom… Felt like a flood, a great wave. Now it’s rocky for a bit, I can see a clear space ahead like clear sailing… islands… everything’s settled now. There are people. Looks like they are gold and shining, like technicians in shiny suits’

Me… ‘Are there many of them?’

‘No, not that many but they seem large, larger than life’

Me… ‘Do you feel drawn towards one particular person?’

‘Some are silver, some golden but I feel they are all connected as one. Part of one purpose. They are salvaging’

Me… ‘Maybe one is the mouth piece. See if you can communicate with one of these technicians, ask a question’

‘What are you doing here? What has happened? …There’s been a lot of damage and they’re clearing up. They’re helping, settling’

Me… ‘Are they working with us in this group?’

‘I think we are part of them. I have the feeling it’s in the future but it’s now too. It’s just perception, as if they tell me all time is upon time. It is like there’s a sort of grid. They are connected to a grid but we are part of that grid. It just feels as though there’s been a flood, like a lot of turmoil but it’s settled down. There’s been a lot of damage. I can feel the trees are still there. The trees are transforming trees. I feel as if I want to get to that place, that time’

Me… ‘Can they see you?’

‘Yes… I think I’m with them… Is it Lemuria coming in? That was in the past but perhaps it’s a re-enactment, perhaps similar or perhaps I misunderstood. Perhaps they are Lemurians coming back? I don’t know the truth of that. They do seem like they are clothed in a sort of foil wrap… I’m floating, I get a feeling there’s a… I call it Leviathan, it’s like a big submarine, it’s like a futuristic ark but it’s like an animal, a great creature, a living system. It can be under the water and that’s how they managed to be with us’

Me… ‘Are the technicians on this ark?’

‘They can go there but they seem to be able to float around’

Me… ‘Maybe the ark is a meeting place between two worlds?’

‘It could be’

The last tune was now playing so I asked our friends to start drawing back. Liz had one more thing to say…

‘I get a very kindly face, green, like the old Chinese dragon. Reptilian but warm blooded’

As the last tune came to an end I checked that Liz was feeling okay.

She had a strong pulling from her solar plexus which she’d had throughout the sitting.

At times she’d also experienced a vibrating, spinning sensation in her throat.

It was easing off now and she felt fine after I’d done the closing prayer, healing and closing down exercise.

Liz had remained aware throughout just a bit overshadowed.

It was interesting to me that she used the word technician as this had been used several times in the early days of the Mercury Circle to describe the people working behind the scenes.

It had been a very enjoyable sitting for both of us. 

We'd sat with no expectations and received some unexpected thought provoking information through Liz...

6th Sitting 01/11/2013

It was about time Liz got back in the cabinet as she hasn’t sat in there now since August so on Friday 01/11/2013 she took her place in the hot seat with the curtains closed while I sat to her right.

It was a full blackout sit.

I did the opening prayer at 8.30pm, turned out the red light and put the music on. It was the usual Mercury Light 70 minute CD.

After five minutes I had a big bright bluish blob in front of me.

Slowly the atmosphere changed and looked white and misty.

I had a strong feeling of Joan sitting in Dan’s chair observing proceedings.

I felt something hanging off my left ear.

Then I felt a light touch on my left foot.

I was seeing a few abstract shapes and colours.

They were difficult to describe but one looked like a horizontal tube of reddish energy with ripply veins running along it at about floor level and about one foot in diameter. It was running from the back of the room to the cabinet.

While I was seeing this Liz verbalised what she was seeing/experiencing in the cabinet.

A great glistening eel like an energy, unformed flesh, visceral, like pure muscle. She was being carried along with it. It was like a snake or jelly fish with a corkscrew spiral movement, possibly an umbilical cord.

(It’s possible we were both seeing the same thing)

I then became aware of a dark triangle in the centre of the room, a bit like a wigwam.  

Either side was light and misty.

The mist got brighter and filled my whole vision.

Then I saw large waves moving across the room from side to side.

I felt something on my right ear.

Liz said the name Peter.

I felt something on the top of my head.

My right leg went very cold and fuzzy.

Then my right side went cold.

It felt like there was somebody to my right, a similar feeling to what I’ve been getting recently in the Mercury Experiment.

This feeling remained for most of the sitting.

It started looking flashy around the room.

I briefly saw two large faces. I didn’t recognise them.

The room became bright and blobby.

There was a lot of green in the room mainly near the cabinet.

A flickering bright blob appeared in front of me.

It changed to a bright purple colour with white pin pricks in it.

Liz said she saw a small boy with braces called Charlie.

I was freezing cold.

The room looked sparkly.

There was now a lot of orange in the room particularly near the healing book.

I felt a cool breeze on my face and it felt like whoever had been on my right had made their way towards the cabinet passing in front of me.

At the same time Liz said… terminate teleport.

The penultimate tune came on and I reminded the team to start drawing back.

I called Liz back when the music finished.

She had someone with her called Rose and she also got the word acorn.

(This could have been my next door neighbour Rose who passed several years ago and was very proud of a tree she had planted in her garden from a seed. It wasn’t an oak tree but it was interesting that Liz had got the word acorn)

Liz felt a reluctance to come back at first as she was enjoying the energies in the cabinet.

She was very warm whereas I was freezing cold.

I did the closing prayer, sent out healing and did the closing down exercise for us both.

Liz had tried to let go tonight. She had felt energy drawn out of her. She felt like she almost separated from her physical body. Her arm felt like it grew larger and she felt herself changing shape.

Early into the sitting Liz got a vibrational feeling and involuntary tremors in her arms and hands indicating she was being controlled.

She’d had a feeling of confetti falling down and saw two people getting married which coincided with the time I saw two faces in the room.

5th Sitting 16/08/2013

Liz was back in the cabinet on Friday 16/08/2013 for her monthly sit.

She sat with the cabinet closed in full blackout throughout.

Last Monday Liz had received some advice… to imagine herself as an octopus when she sat and allow herself to reach out into the room with all her tentacles and expand herself. This would help her relax.

I opened at 8.30pm, put the music on and turned out the red light.

Five minutes after starting I felt a touch and a fuzzy feeling on my right foot.

Then felt a fuzzy feeling on my right hip.

The atmosphere was beginning to look grey and misty.

I felt a tightness round both of my ankles. (Maybe this was Liz’s tentacles, ha, ha)

I saw a few flashes near the ceiling and there was now a reddish colour to the room.

Then the room became very light and an orange/white colour.

After a few minutes the room went dark again with a few pin-pricks darting about.

Then it became lighter to my right.

It got very cold in front of my legs.

I had a strong sensation that someone was standing there.

I heard a kind of lip-smacking noise in front of me.

I welcomed whoever it was.

Then it felt like the whole room became alive with people.

I got the impression they were dancing round the room.

I then ‘saw’ a smiling face with rosy cheeks in front of me.

The room started to get lighter again.

I heard a humming coming from the cabinet but kept the music up to keep the energy high.

I felt something in my hair.

I got an image of a rabbit.

I heard speaking in the cabinet and turned down the music.

Liz was getting words in her mind and verbalized what she got…

‘Well, well, well… Well Neddie… Nay, nay, nay… We’re going for gold… It won’t be long… We’re waiting…’

I turned the music back up.

The room went dark again.

The energy felt thick and dense.

I ‘saw’ an American Indian face with yellow painted lines.

There were a lot of flashes and white wispy bits in the room.

Liz said a few more words…

‘The animals are with us… Listen to the heart beat of the earth’

She later told me she became aware of her own heart beat when she said it.

I saw a big blob in front of me.

Liz began whistling in the cabinet.

I suggested she give me a tune but the whistling stopped.

I felt a touch on my knee.

It was getting very light like a white mist in the room.

The penultimate tune played and I reminded the team it was time to start drawing back.

Then as the last tune played the room became dark again.

Liz said some more words…

‘Crocus… Saffron… Mustard… Custard…’

Liz still felt a bit spaced out at the end and I could see pin-pricks around the cabinet.

I did the closing prayer, then put the red light on and did a closing down exercise for both of us.

Liz was now fully back and feeling fine.

She had felt a lot of energy being drawn from her during the sitting.

She felt her throat manipulated and pressure on her head.

Towards the end she had heard ‘Frances wants to say hello’ which made a lot of sense to me but I’ll say no more in case Liz gets anything else to add.

Liz had felt Freddie around most of the evening. She said he was being playful and she felt at first he was trying to get a message to Travis but she couldn’t work out what it was. At the end she got words associated with the colour yellow, a colour we both connect with Freddie and the Mercury Light Circle.

Liz also felt Joan about and kept hearing ‘Jo-Jo’

As we were talking about this we heard a clicking noise coming from the glass dome as if to confirm what Liz felt.